A Novel

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Dodgers is a dark, unforgettable coming-of-age journey that recalls the very best of Richard Price, Denis Johnson, and J.D. Salinger.

It is the story of a young LA gang member named East, who is sent by his uncle along with some other teenage boys—including East's hothead younger brother—to kill a key witness hiding out in Wisconsin. The journey takes East out of a city he's never left and into an America that is entirely alien to him, ultimately forcing him to grapple with his place in the world and decide what kind of man he wants to become.
Written in stark and unforgettable prose and featuring an array of surprising and memorable characters rendered with empathy and wit, Dodgers heralds the arrival of a major new voice in American fiction.

Winner of the LA TIMES Book Prize of 2017 for Best Mystery/Thriller
Winner of the CWA Goldsboro Gold Dagger 2016 for Best Crime Novel of the Year
Winner of the CWA John Creasey New Blood Dagger 2016 for Best Debut Crime Novel
Winner of the Mark Twain American Voice in Literature Award
Finalist for the PEN/Heminghway Award 2017 for Debut Fiction
Longlisted for Andrew Carnegie Medal 2017 for Excellence in Fiction
Nominated for the Edgar Award 2017 for Best First Novel


"Although Beverly evokes the great outdoors with photographic clarity, claustrophobia effectively haunts his narrative…With his focus on people and personalities, the author could justifiably bypass the bigger picture, the heartland rusting to death in the background. But, admirably, he doesn’t.”The New York Times

"Vastly impressive...draws lyric prose out of the unlikeliest of materials." – The Wall Street Journal

“Intimate and intense, Dodgers is a gripping coming of age tale that evokes Salinger’s Catcher in the Rye. It’s Bill Beverly’s debut novel—his previous nonfiction book delved into the stories of criminal fugitives—and his potent, direct prose will lure you in from the first page.” – Los Angeles Magazine

"I try not to read thrillers because they tend to keep me up to all hours of the night, and I don’t have the time. Bill Beverly’s Dodgers (No Exit Press) broke through my wall of self-denial and, yes, I did stay up late for two nights to finish it. Four black boys in a gang from Los Angeles are given a job: drive across the country to carry out a hit on a black judge. What can go wrong? Everything, of course. The prose is tight, the dialogue rhythmic, the pacing fast, the violence measured, and the ending unexpected. So what if I lost some sleep?" - Viet Thanh Nguyen, The Financial Times

"In Dodgers, the tension stays high and reflective moments serve only to give the characters — and the reader — a breatherbefore the next, more exciting set piece, ofwhich there are many. Great ending, too." – Esquire

"In the case of ‘Dodgers’ by Bill Beverly, there can’t be too many accolades. Think of it as a coming-of-age tale with menace and dark sentimentality. A teenage gang member and three cohorts who have never been out of L.A. are dispatched on a cross-country journey to murder a witness set to testify against the gang’s adult leader. What happens along the way and after the fact is, to use my own adjectives, ‘harrowing,’ ‘wrenching’ and ‘redemptive." – The Sacramento Bee

"With the savvy of a much more prolific writer, Beverly plants a powerful conclusion on a powerful first novel. Dodgers is brilliant with no more than it needs--and no less." – Shelf Awareness

"This sweeping coming-of-age story will take you to whole new heights… This is a book in which you'll hold on tightly to every character.” – Bustle

"With characterizations recalling the best of George Pelecanos...Fans of HBO’s The Wire and Richard Price novels will be engaged by the book’s themes of race, identity, and the U.S. class system." Library Journal (Starred Review)  

"Will be one of the most talked-about debut novels of the year. Think Attica Locke’s Black Water Rising or Dennis Lehane’s A Drink Before the War—it’s that good. ...This unpretentious literary crime novel will upend your notions of the sort of character with whom you might empathize." – Bookpage (Top Pick)

"A dazzling crime novel that’s equal parts coming-of-age tale à la Salinger’s The Catcher in the Rye and travelogue à la Kerouac... Readers won’t soon forget East and his bloody journey of self-discovery and, ultimately, salvation.”  – Publishers Weekly (Starred Review)

“The premise and execution are terrific, and the prose is remarkable: Beverly does more with a sentence than many writers accomplish in a paragraph. East and his compatriots are old before their time, and yet we never lose the sense that they are still growing up, even if their growing-up is like that of soldiers dropped behind enemy lines in their first war… Highly recommended for fans of Richard Price, this is a searing novel about crime, race, and coming-of-age, with characters who live, breathe, and bleed.” – Booklist (Starred Review)

"Beverly follows the great tradition of American crime fiction in paring his prose to the bone so that not a word is wasted and his foul-mouthed, funny dialogue rings true." - The Sunday Express

"Dark, edgy and riveting and, for all that, deeply, humanly serious, Dodgers is white knuckles for the mind. I love this book and will closely follow Bill Beverly forever hereafter." – Robert Olen Butler , Pulitzer Prize winning author of A Good Scent from a Strange Mountain

“Not only is the fast-paced and masterfully plotted Dodgers one of the greatest literary crime novels you will read in your lifetime, Bill Beverley has also created, in the teenage boy, East, one of the most unforgettable and heartbreaking characters ever encountered in American fiction.” – Donald Ray Pollock, author of Knockemstiff & The Devil All the Time

"Propulsive, brutally honest and yet unexpectedly tender, Dodgers is one of the best debuts I've read.  I was absolutely gripped by the voice, the world of East and his brother, and surprised at nearly ever turn.  I audibly gasped at the end." – Attica Locke, author of Black Water Rising and Pleasantville

"Reading Dodgers is like having the veil lifted from your eyes: the world is more vivid, more intense, more exquisite, and more terrifying than you ever knew.  Bill Beverly is a conjurer, a poet of the dark arts, and his novel is a spell: when he sends his young drug-world protagonist on a deadly errand in the alien landscape east of L.A.—that fat swath of America known to him only by its names and its shapes on maps—it is you who makes the journey, who is the stranger in a strange land, a watcher who now feels the eyes of others wherever you go, and who must pay the devastating tolls of crossing boundaries.  Hypnotic, breath-taking, bruising, beautiful, important, true—choose your adjectives, this is a great novel." – Tim Johnston, author of Descent

“In Dodgers, Bill Beverly delivers with honesty and empathy as he takes us into the hope-killing shadow of LA’s street-level drug kingdom. His prose are a perfect match for young East’s life-altering journey; spare, clear-eyed and with the cutting edge of flint. Beverly leads us into the heart of a young man molded by circumstance and, much as Richard Price’s The Whites, gives a view that will change the way you look at the world.” – Susan Crandall, national bestselling author of Whistling Past the Graveyard
"The sentences will snare you, and the story keeps you hooked — a thrilling cross-country journey that takes on the poetry and resonance of myth" – Adam Sternbergh, author of Shovel Ready and Near Enemy
"Bill Beverly’s wild and auspicious debut takes off from page one and never lets up. Dodgers, a kind of modernized and urban take on Theodore Weesner’s The Car Thief, is lightning-quick and world-wise, full of pitch-perfect dialogue and criminal misadventure. Most importantly, it’s a lot of fun." – Tom Cooper, author of The Marauders
"Dodgers transcends genres. Its main character East, is part Kerouac's Sal Paradise, Part Wrights' Bigger Thomas, and even part Salinger's Holden Caulfield. The hero's journey is an American story." – Ernesto Quinonez, author of Bodega Dreams
Dodgers is a wickedly good amalgamation of Adventures of Huckleberry Finn and Clockers that stands firmly on its own as a remarkable debut. A Harrowing road trip into the heart of America that will shock you, move you, and leave you marveling at its desolate poetry. A real accomplishment: a book that makes you see the familiar through new eyes. It will stick with me for a long, long time.” – Richard Lange, author of Angel Baby and This Wicked World 

"Bill Beverly’s gritty and propulsive debut novel, Dodgers, is more than a riveting read; it is a stunning literary achievement. Our hero, East, a fifteen-year old hit man, drives across America on a deadly mission, from the mean streets of LA to the heart of the heart of the country. East is a character as memorable and as haunting as any I’ve met in contemporary fiction. And he’s not alone in that van, but there is room for one more. So hop in, but strap on your seatbelt and hold on to your hat. The road’s a little bumpy—and more than a little terrifying— up ahead." – John Dufresne author of No Regrets, Coyote

“A terrific novel, urgent, thrilling, and dangerous from start to finish. In East, Mr. Beverly has created a character who stays in the mind after the book is finished, an Odysseus straight out of Compton. His venture into the unknown lands of the American Midwest has a classic, mythic shape and scope. And the writing throughout is lovely, economical and exact. You could read this for the sentences alone.” – Kevin Canty, author of Into the Great Wide Open
"I knew before I'd gone very far into Bill Beverly's superb first novel that I was about to lose some sleep, since putting it down seemed to be beyond me.  To say it's a page-turner doesn't do it justice, though it certainly is.  It's also much more.  His characters are vivid and real, and yes, sometimes they'll break your heart.  The world they inhabit--no matter where they may be at a given moment--all but leaps off the page.  It's a winner.  So is its author." – Steve Yarbrough, author of The Realm of Last Chances and Safe from the Neighbors
“From the moment we encounter East, a mostly silent kid who "didn't look like much," we are initiated into his gaze on the malfunctioning world, a kind of concentrated,  exquisite hypervigilance that is both his burden and his gift. It is this quality of attention that makes Dodgers such an intense read -- inescapable, inevitable, impossible to  set aside. We can no more turn off East's vision -- and the sense of urgency that comes with it -- than he himself can, and we are along for the ride. The truth-telling and pared-down purity of voice here are reminiscient of Denis Johnson, as if this novel were not written but channelled. This is a beautiful, extraordinary book.” – Wendy Brenner, author of Large Animals in Everyday Life and Phone Calls from the Dead


***This excerpt is from an advance uncorrected proof***

Copyright © 2016 Bill Beverly

DODGERS – Chapter 1

The Boxes was all the boys knew; it was the only place.

            In the street one car moved, between the whole vehicles and skeletal remains, creeping over paper and glass.

            The boys stood on guard. They watched light fill between the black houses separated only barely, like a row of loose teeth. Half the night they had been there: Fin taught that you did not make a boy stand yard all night. Half was right. To change in the middle kept them on their toes, Fin said. It kept them awake. It made them like men.



            The door of the house opened and two U’s stumbled out, shocked by the sun, ogling it like an old girl they hadn’t seen lately. Some men left the house like this, better once they’d been in. Others walked easy going in but barely crawled their way out. The two ignored the boys at their watch. At the end of the walk, they descended the five steps to the sidewalk. One man slapped the other’s palm loudly, the old way.

            Again the door opened. A skeletal face, lip-curled, staring: hair rubbed away from his head. Sidney. He and Johnny ran the house, kept business, saw the goods in and the money out with teenage runners every half hour. Sidney looked this way and that like a rat sampling the air, then slid something onto the step. Cans of Coke and energy drink, cold in a cardboard box. One of the boys went up and fetched the box around; each boy took a can or two. They popped the tops and stood drinking fizz in the shadows.

The morning was still chilly with a hint of damp. Light began to spill between the houses, keying the street in pink. Footsteps approached from the right, a worker man leaving for work, jacket and yellow tie, gold ear studs. The boys stared down over him and he didn’t look up. These men, the black men who wore ties with metal pins, who made wages but somehow had not left The Boxes: you didn’t talk to them. You didn’t let them up in the house. These men, if they came up in the house and were lost, someone needed them, someone would come looking. So you did not admit them. That was another thing Fin taught.



            Televisions came on and planes flashed like blades in the sky. Somewhere behind them a lawn sprinkler hissed fist fist fist, not loud but nothing else jamming up its frequency. A few U’s came in together at seven and one more about eight, crestfallen: he had that grievous look of a man who’d bought for a week but used up in a night. At ten the boys who had come on at two left. The lead outside boy, East, shared some money out to them as they went. It was Monday, pay day, outside the house.

            The new boys at ten were Dap, Antonio, Marsonius called Sony, and Needle. Needle took the north end, watching the street, and Dap the south. Antonio and Sony stayed at the house with East, whose twelve hours’ work ended at noon. Antonio and Sony were good daytime boys because they knew how to look all right, look busy. The night boys, you needed boys who knew how to stay quiet and stay awake. The day boys just needed to know how to look quiet.

            East looked quiet and kept quiet. He didn’t look hard. He didn’t look like much. He blended in, didn’t talk much, was the skinniest of the bunch. There wasn’t much to him. But he watched and listened to people. What he heard he remembered.

            The boys had their talk – names they gave themselves, ways they built up. East did not play along with them. They thought East hard and sour. Unlike them, who came from homes with mothers or from dens of other boys, East slept alone, somewhere no one knew. He had been at the old house before them and he had seen things they had never seen. He had seen a reverend shot on the walk, a woman jump off a roof. He had seen a helicopter crash into trees and a man, out of his mind, pick up a downed power cable and stand, illuminated. He had seen the police come down and still the house continued on.

He was no fun, and they respected him, for though he was young, he had none in him of what they most hated in themselves, their childishness. He had never been a child. Not that they had seen.



            A fire truck boomed past some time after ten, sirens and motors and the crushing of the tires on the asphalt. The firemen glared out at the boys.

            They were lost. Streets in The Boxes were a maze: one piece didn’t match up straight with the next. So you might look for a house on the next block, but the next one didn’t follow up from this one. The street signs were twisted every way or were gone.

            The fire truck returned a minute later going the other way. The boys waved. They were all in their teens, growing up. But everyone liked a fire truck.

            “Over there,” said Sony.

            “What?” said Antonio.

            “Somebody house on fire,” said Sony.

            The smoke rose soft and gray against the bright sky. Probably a kitchen fire, East said. No ruckus, nobody burning up. You could hear the wailing a mile when someone was burning up, even in The Boxes. But more fire engines kept rumbling in. They heard them on the other streets.

            A helicopter wagged its tail overhead.



By eleven it was getting hot and two men crashed out of the house. One was fine and left, but one lay down in the grass.

            “Go on,” Sony told him.

            “You shut the fuck up, young fellow,” said the man, maybe forty years of age. He had a bee-stung nose, and under his half-open shirt East saw a bandage where the man had hurt himself.

            “You go on,” said East. “Go on in the back if you got to lie down. Or go home. Not here.”

            “This my house, son,” said the man, fighting to recline.

            East nodded, grim and patient. “This my lawn,” he said. “Rules are rules. Go in if you can’t walk. Don’t be here.”

            The man put his hand in his pocket but East could see he didn’t have anything in there, even keys.

            “Man, you okay,” East said. “Nobody messing with you. Just can’t have people lying round on the yard.” He prodded the man’s leg lightly. “You understand.”

            “I own this house,” said the man.

            Whether this was true, East did not know. “Go on,” he said. “Sleep in back if you want.”

            The man got up and he went into the back yard. After a few minutes, Sony checked on him and found him asleep, trembling, fighting something inside.



            The fire smoke thinned, then came thicker. Trucks and pumps droned and down the street some neighbor children were bouncing a ball off the wall. East recognized the two kids – from a neat house with green awnings, where sometimes a white Ford parked. These kids kept away. Someone told them, or perhaps they just knew. For the last two days there had been a third girl playing too, bigger. She could have grabbed every ball if she’d wanted, but she played nice.

East made himself stop watching them, studied the chopper instead where it dangled, breaking up the sky.

When he glanced back, the game had stopped and the girl was staring. Directly at him, and then she started to come. He glared at her but she kept advancing, slowly, the two neighbor kids sticking behind her.

She was maybe ten.

            East pushed off. Casually he loped down the yard.  Sony was already bristling: “Get back up the street, girl.” East flattened his hand over his lowest rib: Easy.

The girl was stout, round-faced, dark-skinned, in a clean white shirt. She addressed them brightly: “This a crack house, ain’t it?”

            “Naw.” East glanced at Antonio. “Where you come from?”

That’s what Fin said: everywhere else, they thought it was all crack.

            “I’m from Jackson, Mississippi. I go to New Hope Christian School in Jackson.” She nodded back at the neighborhood kids. “Them’s my cousins. My aunt’s getting married in Santa Monica tomorrow.”

            “Girl, we don’t give a fuck,” said Antonio up in the yard.

            “Listen to these little gangsters,” the girl sang. “Y’all even go to school?”

Probably from a good neighborhood, this girl. Probably a mother who told her Keep away from LA ghetto boys, so what was the first thing she did.

East clipped his voice short. “You don’t want to be down here. You want to get on and play.”

            “You don’t know nothing about what I want,” boasted the girl. She waved at Antonio. “And this little boy here who looks like fourth grade. What are you? Nine?”

            “Damn,” Sony cheered her, chuckling.

            Somewhere fire engines were gunning, moving again; East stepped back and listened. A woman and a daughter walked by arguing about candy. And the helicopter chopping. It tensed East up. There were too many parts moving.

            “Girl, back off,” he said. “I don’t need you mixed up.”

            “You’re mixed up,” said the girl. She put one hand on the wall, immovable like little black girls got. A fighter.

This kid, East snorted. The last thing you wanted up by the house was a bunch of kids. Women had sense. Men could be warned. But kids, they were gonna see for themselves.


            A screech careened up the flat faces of the street, hard to say from where. Tires. East’s talkie phone crackled on his hip. He scooped it up. It was Needle at the north lookout. But all East heard was panting, like someone running, or being held down. What is it, East said, what is it.

            He scanned, backpedaling up the lawn.

            Something was coming. Both directions, echoing, like a train.

            He radioed inside. “Sidney. Something coming.” The helicopter was dipping above them now.

            Sidney, cranky: “Man, what?”

            “Get out the back now,” East said. “Go.”

            “Now?” said Sidney incredulously.

Now.” “You boys get,” he ordered Antonio and Sony. Knowing they knew how and where to go. Having taught them what to do. Everyone on East’s crew knew the yards around, the ways you could go, he made sure of it.

            The roar climbed the street – five cars flying from each end, big white cruisers. They raised the dust as they screeched in aslant. East thumbed his phone back on.

            “Get out. Get out.” Already he was sliding away from the house. His house. Red Coke can on its side in the grass, foaming. No time to pick it up.

            Sidney did not radio back.

            How had this gotten past Dap and Needle? Without a warning? Unaccountable. Angry, he slipped down to the sidewalk. The smell of engine heat and wasted tire rubber hung heavy. The other boys were gone. Now it was just him and the girl.

            “I told you,” he hissed. “Go on!”

            Stubborn thing. She ignored him. Staring behind her at the herd of white cars and polished helmets and deep black ribbed vests: now, this was something to see.

            Four of the cops got low, split and gang-rushed the porch.

Upstairs a window was thrown open, and in it, like a fish in rusty water, an ancient, ravaged face swam up. It looked over the scene for a moment, then poked out a gun barrel. East whirled then. “Damn!” he yelled. “Get down! Get out of here!”

The girl of course did not budge. The pop-pop began.



East hit the ground below a wall’s rampart. Beneath the guns’ sound the cops barked happily, lowering behind their cars like it was TV. Everyone took shelter, except the copter and the street dogs, howling merrily, and the Jackson girl.

            East fit behind a parked Buick, rusted red. His breath fled him, speedy and light. The car was heat-blistered and he tried not to touch it. Behind him the air was clouding over with bullets and fragments of the front of the house. The police radioed to each other behind their cruisers. The upstairs gun cracked past them, around them, off the street, into the cars, perforating a windshield, making a tire sigh.

            The girl, stranded, peered up at the house. Then she faced down to where East had run, seeing he’d been right. She caught his eye.

            With a hand he began a wave: come with me. Come here.

            Then the bullet ripped her.

            East knew how shot people were, stumbling or crawling or trying to outrace the bullet, what it was doing inside them. The girl didn’t. She flinched: East watched. But she put her hands forward and gently she lay down. Uncertainly she looked at the sky, and for a moment he disbelieved it all – it couldn’t have hit her. The girl was just crazy. Just as unreal as the fire.

            Then the blood began inside the white cotton shirt. Her eyes wandered and locked on him. Dying fast, and gently.

            The talkie whistled again.

            “God damn you, boy,” Sidney panted.

            The police in the back saw their chance and three of them aimed their shot. The gun fell, rattled down the roof. Just then the four cops on the porch kicked in the door.

            “You supposed to warn us,” crackled Sidney. “You supposed to do your job.”

            “I gave you all I got,” East said.

            Sidney didn’t answer. East heard him wheezing.

            He got off the phone. He knew how to go. One last look – windows blown out, cops scaling the lawn, one U stumbling out as if he were on fire. His house. And the Mississippi girl on the sidewalk, her blood on the crawl, forming a long finger toward the gutter, finding its way. A cop bent over her, but she was staring after East. She watched East all the way down the street till he found a corner and turned away.